(And that’s saying something for jazz fusion.)Ĭover Me is now on Patreon! If you love cover songs, we hope you will consider supporting us there with a small monthly subscription. It’s a crazy jazz fusion take on “Bad” that manages to remain poppy and accessible the whole way through. Nearing three minutes the pace slows to a crawl and his one-man “Bad” vamps to the end. Then, about two minutes in, he is joined by three pianists, Justin Lee Schultz, Anomalie Beats and Jordan Rudess, who all show off a little jazz flair. He plays around with the melody constantly and adds these neat little keyboard and drum fills.
(His Jackson impersonation is pretty good.) Nilsson is basically a one man band here, singing lead and backing vocals, playing multiple keyboard parts and the drums. He changes the bass line so much the song isn’t even recognizable as “Bad” until Nilsson starts singing something resembling the vocal melody about 15 seconds in. Well, Jonah Nilsson of Swedish jazz fusion outfit Dirty Loops is here to change your mind. There is some grit and sweat missing there.Like many of Michael Jackson’s hits, it seems kind of impossible to imagine “Bad” without its memorable bass line. But if every note is put to mathematically correct place, then music usually sounds bad to me. Meet Dirty Loops They are longtime friends and music school classmates Jonah Nilsson (vocals/keyboards), Henrik Linder (bass), and Aron Mellergardh (drums) who hail from Stockholm, Sweden and have made name for themselves with their twisted pop covers beginning with their take on Lady Gaga’s Just Dance. But if they published a "live" video that too (I suspect) has that extreme correction going on, I can't stay silent. Without that "sound check" video I would let this all be, and just say that different strokes for different folks. I mean, why publish a soundcheck video, when even that is corrected? To me it sounds as machine like as their other videos, and I highly suspect that there is serious computer correction in that video too. Everything is close miced, so there is nothing that you can really tell as live. Exclusive video interview with FBPO’s Jon Liebman.
From 3:54 you can see some bass drum hits, but can't hear anything.Īlso, total absence of room sound is another weird thing. Dirty Loops bassist demonstrates his pop and double-thumb techniques. The first two contain further sub-folders that let you know the type of hit and kit youre dealing with (both acoustic and electronic sounds are on offer), while the third features drum loops in the widely supported REX format. Well, there are clearly even some missing drum hits that you can see, but can't hear. What you need to know The samples are split into three folders: Assorted Hits, Drum Kits and Rex Loops. And maybe originally the group wanted to post is with the same intention.
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typhoon ecu manual why do babies hit you free knife sheath patterns. Someone posted to that forum a soundcheck video of this group, meaning to prove that these guys are as tight live as in their videos. seasonal caravan pitches east coast yorkshire. What is left for me is nice fusion-y arrangements of cover songs. Very cool, even if theres some extra cheese. I'm not saying that computer correcting is wrong in anyway, hey, it's just music! But when those guys can clearly play really well (they couldn't come up with those arrangements without serious playing skills), why they just can't trust that it's enough? Why they take correcting to extreme, which takes the life away from the music? The whole point of this group is to be this super group, and to me this quantisizing and autotuning takes away most of the appeal. Im hearing a lot of Mark King- scratch that, all 42 of em in what these guys are doing.
Also vocals are way too autotuned to my taste, making them sound like robots singing. And that that makes the music sound too plastic-y and lifeless to me.ĭon't get me wrong! I love tightness, for instance I absolutely love Justice's latest cd (French electro-group), and I'm sure thera are very lillte live playing in that cd.Īlso some of the fills the drummer plays sound way too "full on", meaning that every hit sounds like a forcefully hit sample, which in middle of superfast 32-note fill sound artificial and weird to me. You start to recognise that sound whan working with midi, and those quantisation options. I work with midi and quantisation almost every day as a songwriter when I work with Logic Pro, and to me this group sounds like that every single note that they play is put to "grid". There is actually a debate going on in another (Finnish) forum about this group with same kind of polarized opinions.Īs much as I would like to like this group and the music, it just sounds too machine-like to my ears.
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